Here is a burnt-out young woman. Her hollow gaze reflects the fading memories of a grand ball, now replaced by solitude.

In Ramón Casas’ After the Ball (1899), a solitary figure is depicted in a state of profound contemplation. Draped in an elegant black gown, she reclines on a verdant green sofa, holding a yellow book that adds a touch of balance to the scene. The striking contrast between her somber attire and the vibrant hues of the sofa immediately captures the viewer's attention.

The yellow book she holds could also be her 'dance card,' a card used to record the names of dance partners at social events. However, the weight of the night and her emotional turmoil prevent her from engaging with the text.

The woman's melancholic state reflects the disillusionment that can accompany the pursuit of pleasure. Was the ball disappointing, or did fatigue overwhelm her? Or maybe she attended a celebration she didn’t want. Sprawled on the sofa, still in her dress, she suggests that the festivities were not as joyful as expected.

Her all-black attire feels more suitable for a funeral than a celebration, creating a stark contrast with the vibrant atmosphere of the ball.

The green sofa evokes a sense of unease instead of comfort. Feelings of ennui and loss resonate within her.

In 1899, as the 20th century approached, people began to doubt the happiness and excitement of the Belle Époque. This painting captures the disillusionment and solitude that can follow a period of intense social activity.

Tired (About 1895–1900)Ramón Casas (Spanish, 1866 – 1932)

As the vibrant energy of the ball fades into silence, she is left in solitude. What emotions does this scene evoke in you? Do her experiences of joy and exhaustion connect to your moments?